The International Symposium on Zen Paintings and Inscriptions
Gasan—the inscriptions associated with paintings—form a special genre of literature distinctive to the East Asian cultural sphere. These inscriptions, which complement the paintings they adorn, often contain valuable information regarding the subject matter, provenance, intention, philosophical background, and production of the artwork. Unfortunately, research in the field of gasan has not advanced in the modern era—to the contrary, inscription-reading skills are in a state of steady decline. With regard to Muromachi-era gasan, only a handful of researchers in the fields of Zen Studies and Art History have continued their work in the twenty years since the publication of the Zenrin Gasan, the apex of Showa-era scholarship on this genre. The International Symposium on Zen Paintings and Inscriptions is being convened to initiate a process of reevaluation and renewal regarding the study of gasan and establish a framework for future research. Although the primary focus will be on the gasan of the Muromachi period, our final goal is to develop a broader perspective on the entire field of gasan literature and establish a permanent committee to further our understanding of this interesting field. The symposium will be held at Hanazono University; the public is invited to attend.